The Corning Museum of Glass announced a new artist residency program, only this one won’t take place in their studio, but instead in their library. The David Whitehouse Artist Residency for Research will offer one artist up to three weeks in The Corning Museum's Rakow Library, which they are free to peruse (along with the museum’s permanent collection) in any sort of research effort to expand their knowledge of glass technique and history. This residency is similar to the Rakow Grant, which the Corning Museum offers to scholars to conduct research, but the Rakow is reserved for scholars alone and does not necessarily have to take place on site. The Whitehouse residency, on the other hand, is exclusively for artists, is completely onsite, and can last from one to three weeks. The deadline to apply is August 31, 2017.
For the past decade, French artist, Baptiste Debombourg, has exploited the fragility of glass to explore the “evidence of humanity" out of scenes of apparent wreckage, as GLASS Quarterly contributing editor Victoria Josslin put it in a Fall 2015 (GLASS #140) profile of the artist. And Debombourg’s three recent exhibitions prove just as gasp-inducing as their predecessors. “RAGING DREAMS—over the horizon” by Debombourg opened May 19 at Gallery S12 in Bergen, Norway to celebrate the gallery’s 10th anniversary. According to the S12 event announcement, energy and the power of dreams are guiding motifs in the installation, composed mostly of laminated broken glass. Like the artist’s previous works, “RAGING DREAMS” references the destructive power of natural forces with large, immersive and engulfing installations that creep from the gallery walls to its floors with edges that resemble a breaking wave.
The Pittsburgh Glass Center (PGC) will feature Richard Royal at its annual Art on Fire celebration and auction this September, coinciding with his residency at PGC. Royal, a former gaffer for Dale Chihuly at the Pilchuck Glass School, creates art fueled by his interest in the math inherent in nature, and he is drawn to the geometric possibilities of the material, as well as its optical properties. He's been blowing glass for more than 30 years and combines both blown and solid glass elements in his internationally recognized and highly photogenic work. Royal’s art has been on exhibit at the Mint Museum of Art and Design, the High Museum, and the New Orleans Museum of Art, among others. Royal is a prolific teacher, including a regular at the Pilchuck School. He has also taught before at PGC. As honorary artist, one piece of Royal’s work from his optical lens series will be for sale at the auction.
After a dynamic career spanning nearly 20 years (19 and three-quarters to be exact), Jean McLaughlin will retire as executive director of the Penland School of Crafts in December 2017. She will leave behind an institution far stronger financially, more accessible to the physically challenged, and with greater outreach to the North Carolina rural communities which surround this important craft school. And yet the school McLaughlin came to lead remains recognizable to those who remember it before her tenure, a sense of continuity which she was careful to cultivate and preserve in this organization that dates back to 1929.
WheatonArts in Millville, New Jersey, is preparing to unveil its second “Emanation” exhibition during its long-running GlassWeekend event, a biennial gathering of collectors and artists to celebrate, discuss, buy and sell glass artwork coming up on June 9, 10 and 11, 2017. WheatonArts is a multi-dimensional nonprofit in Southern New Jersey, with programs ranging from a museum of American glass history to programming celebrating regional folk culture. But “Emanation,” initiated in 2015, is focused on the contemporary moment in art through an ambitious program to break down the barriers between fabricators and contemporary artists, something that other programs such as the high-profile Glasstress program by Berengo Studio in Venice don't directly address. Unlike that program, which brings well-known artists to Venice to have their ideas realized by glass masters, the "Emanation" project is based in the studios of WheatonArts' Creative Glass Center of America, best-known for its long-running fellowship program that allows artists free rein to realize experimental ideas at this unique facility. The New Jersey project is careful to avoid the one-way street of becoming a fabrication station. There are multiple efforts to create synergy between the artists and the facility, including during the installation of the exhibition component. The artists chosen for the second iteration of "Emanation" -- Emily Brown, Vanessa German, Michael Joo, Lorna Simpson, Therman Statom, Matthew Szösz, and the group Flock the Optic -- reveal varying levels of technical expertise working with glass, which creates interactions that cross-pollinate between artists approaching the project with different perspectives.
In honor of its fifth anniversary, Chihuly Garden and Glass, the for-profit long-term Chihuly exhibition in Seattle Center, is offering a $10,000 scholarship for an emerging glass artist in the Seattle region to take classes at either Pilchuck Glass School or Pratt Fine Arts Center. The program is offered in conjunction with the Chihuly Studio. Though announced through Facebook and a press release, information on how to apply for this opportunity hasn't been easy to locate. The application is on the Garden and Glass website, but only under "Events," where it comes up at the bottom of an article about the organization's fifth-anniversary activities. Still, this is a generous opportunity, one of a series of initiatives to give back to the glass art community, and worthy of attention for every Seattle-area glass artist who fits the criteria.
The Summer 2017 edition of GLASS: The UrbanGlass Art Quarterly (#147) is hitting newsstands and subscriber mailboxes next week. Once again, GLASS is partnering with The Corning Museum of Glass to distribute the latest edition of its annual exhibition-in-print, New Glass Review (#38), which is bundled with the summer issue of GLASS magazine at no extra charge to subscribers (newsstand copies carry an increased cover price for the special bonus issue). On the front of the new edition of GLASS is a striking work in neon and paint by celebrated American artist Glenn Ligon investigates issues of racial identity, American history, as well as the nature of language itself. The 2012 work Double America, features the word "America" shown twice, in white neon and inverted and painted black, creating a powerful graphic that challenges the nation's ideals and aspirations at a time when the country is so profoundly divided.
The Toyama City Institute of Glass Art (TIGA) is now accepting applications for its sought-after artist-in-residence program, set to take place October 19 to November 29, 2017. Each year, TIGA selects one artist of any glassmaking discipline to work and live for six weeks in Toyama, Japan, aptly dubbed “Glass Town”—a seaside city with a 400 year-old crafts tradition. TIGA’s artist-in-residence program was established in 2010 to invigorate the local community and promote Toyama’s rich cultural and arts heritage. Former artists-in-residence, selected from an international and diverse group of applicants, include Anna Mlasowsky (2011), Ethan Stern (2012), Ben Wright (2013), Pavlina Cambalova (2015), and Matthew Szösz (2016). The current faculty includes head professor Jin Hongo and associate professor Amy Rueffert.
This afternoon, the Fred & Pamela Buffett Cancer Center in Omaha, Nebraska, will unveil The Chihuly Sanctuary—an extensive installation, featuring more than 200 original works by lauded glass maestro, Dale Chihuly. The sanctuary is a keystone of the Healing Arts Program at the University of Nebraska Medical Center and its clinical partner, Nebraska Medicine. and was made possible by a lead gift from Omaha philanthropists, Walter Scott and his late wife, Suzanne. The Fred & Pamela Buffett Cancer Center began construction in 2010 thanks to a major donation by Pamela Buffet and her late husband Fred, a relative of billionaire and Omaha native, Warren Buffet. Fred Buffett died of complications from kidney cancer in 1997. The 615,000-square-foot building cost $323 million to construct and is set to open its doors to patients in June.
For the second time, the Vermont Glass Guild, a group of glass artists based in Vermont, will feature the work of 25 artists in an annual exhibition curated by Joan Wilson at the Southern Vermont Arts Center from May 20th through July 2nd, 2017. An opening reception to be held at the gallery on May 20th from 4 to 6 PM is open to the public. The exhibit will represent a range of styles and forms, from blown glass to fused to slumped. This is because it is a representation of the guild itself: a wide range of artists and ideas brought together by a common locality and medium.