Viewing: Call for Submissions


Thursday February 2, 2017 | by Andrew Page

CALL FOR PAPERS: October 2017 UrbanGlass academic symposium to focus on post-graduate outcomes

For its third biennial academic symposium, UrbanGlass is again partnering with the Robert M. Minkoff Foundation to present an international gathering of department heads, professors, and educators to discuss best practices in the lecture hall and studio. The upcoming symposium, titled "Issues in Glass Pedagogy: Curriculum and Career," will take place from October 12 -14, 2017 in New York City, and will examine the factors that determine students' post-graduate success. Among the areas of interest are investigations into the economic challenges facing professional contemporary artists, as well as the educational interventions that are most effective in preparing graduates to thrive. The symposium organizers are now accepting proposals for lecture presentations, panel dicussions, and studio demonstrations that address how academic curricula and programs can affect career outcomes, with a special focus on best practices, statistical analysis, and case studies.

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The top works will be exhibited at the Glasmuseet Ebeltoft, with the top prize of 10,000-Euro also including a solo exhibition at this Denmark institution.

Sunday August 14, 2016 | by Andrew Page

CALL FOR ENTRIES: Once-a-decade museum competition anoints new talent, offers multiple prizes

Since the inaugural “Young Glass” exhibition in 1987, the Glasmuseet Ebeltoft in Denmark has held an international competitive exhibition of up-and-coming artists every 10 years. The fourth iteration of this juried exhibition, which includes a top award of a 2017 solo museum exhibition and a 10,000-Euro cash prize, is now accepting submissions. With a deadline of December 1, 2016, the competition is open to all students, artists, designers, and craftspeople using glass as a key element in their work. Because of the stated goal to identify new talent, there is a strict age limit. To apply, you must have been born after January 1, 1982, which will mean the finalists will not be over 35 when announced in 2017.

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The Visiting Artist residency doubles as a demonstration for visitors to the Museum of Glass in Tacoma hotshop. Pictured: artist Courtney Branam.

Thursday August 11, 2016 | by Andrew Page

CALL FOR APPLICATIONS: Tacoma Museum of Glass has four open slots for visiting artists in 2017

The Museum of Glass in Tacoma is accepting applications for four Visiting Artist slots in 2017. The program offers a short (up to 5 days of hotshop time) but intensive opportunity to work with the museum's crew, as well as two days of basic cold-working. While work made during the residency remains the property of the artist, residents are "encouraged to donate two works" — one chosen in consultation with the artistic director for the museum's collection – and the other donated to the annual fundraising auction. Artists are also responsible for their own travel, accommodations, color powders, as well as packing and shipping of all work after the residency.

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Pavlina Cambalova was the 2015 artist in residence at Toyama.

Tuesday June 21, 2016 | by Sarah Canny

CALL FOR ENTRIES: Still time to apply for 6-week artist residency in Toyama, Japan

The Toyama City Institute of Glass Art in Japan is accepting applications for its annual 6-week artist-in-residence program that will take place from October 20 through November 30, 2016. The application materials state the residency will go to a glass artist "who has potential to stimulate the glass art scene in Toyama by his/her works, regardless of age, gender and techniques he/she utilizes." The successful applicant will have access to a full suite of facilities to create his or her own work in a supportive and enthusiastic environment. The work made by the resident artist will receive a solo exhibition.  Along with creating, the artist is expected to participate in lectures and demonstrations, and to interact and share his or her knowledge and experience with the many students and fellow artists on campus. 

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The "Oled Moon Chandelier" by Dominic Harris & Cinimod Studio places OLED panels inside a polished acrylic sphere, and is featured on the OLEDWorks Website.

Wednesday May 11, 2016 | by Andrew Page

CALL FOR ENTRIES: Design competition offers $10,000 award for OLED “Lighting without a Bulb” contest

Lesser known than their more commercially developed LED counterparts, OLEDs generate broad-spectrum light that is far closer to the light cast by incandescent light bulbs than the harsh whiteness associated with LEDs. An OLED is a sandwich made up of an organic material layered between two electrodes, and these layers are deposited (they can be printed with an ink-ket) onto a transparent substrate. The many advantages of OLED technology — better quality of light, potentially lower cost than LED if mass produced, cool temperatures, higher response times if used for displays versus backlit LCD screens — must be balanced against the comparatively shorter lifespan and changing color balance over time, problems that are being addressed by researchers. Advances in OLED engineering hold great potential for the technology not only for touch-screens (where they are already being used in some smartphones), but for ambient lighting as well. A new design competition co-sponsored by Corning Inc. and the OLEDWorks company, is seeking innovative lighting designs incorporating today's OLED technology, and is offering $10,000 cash awards as well as opportunities to develop prototypes for winning ideas.

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In 2015, Saman Kalantari took the top $5,000 award for Flexible Glass Sheet (FGS), a combination of glass frit and powder on paper.

Thursday April 28, 2016 | by Andrew Page

Call for Submissions: The Glass Art Society looks to fund cutting-edge approaches to the material

The Glass Art Society is currently accepting applications for the third iteration of its Technology Advancing Glass Grant, which is designed to support projects breaking new ground in material, technique, or method, to advance the practice of making art with glass. Up to $5,000 will be awarded to the top applications for the 2016-17 fiscal year. Last year, the glass-frit-and-paper experiments of Iranian artist Saman Kalantari took top honors, with runners-up Michal Czeisler, Jin Won Han, and a collaborative group from the Chrysler Museum of Art Glass Studio and the NASA Langley Research Center each receiving $2,000 for their projects. It appears the budget for the upcoming awards will be held to a total of $5,000 versus the $11,000 awarded in 2015.

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The interior display area at JamFactory, Adelaide

Tuesday December 15, 2015 | by Andrew Page

JamFactory announces new juried prize for Australian and New Zealand glass artists

When the Ranamok Prize was awarded for the final time in 2014, New Zealand and Australian artists lost the region's richest award recognizing the best work being done in glass. Today, JamFactory announced it would step in to fill the void with a new juried glass prize set to debut in 2016. Carrying an award of AU$20,000 (about $14,300 in U.S. dollars), the new biennial FUSE Glass Prize was born out of a lengthy discussion between the Adelaide-based art center and prominent glass collectors Jim and Helen Carreker. The couple are the founding donors for the prize in addition to six other individual collectors and a foundation.

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Min Haeng Kang's work, The Shape of Emotions (2013) was the Grand Prize Winner for the 2013 International Exhibition of Glass in Kanazawan, Japan.

Saturday September 26, 2015 | by Emily Ma-Luongo

CALL FOR ENTRIES: International Exhibition of Glass Kanazawa, 2016


The International Exhibition of Glass in Kanazawa, a prominent platform for contemporary glass, is seeking applicants for its 13th annual showcase. Artists from 40 countries have exhibited in this juried exhibition over the yeras, and the yearly event takes place in a Japanese city known for its history as a center for craft and traditional arts. Aside from discovering potential in current glass art works, the International Exhibition represents Kanazawa's bid for "synergestically stimulating" its local industries, as stated in the official announcement of the competition.

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Anna Mlasowsky, Untitled Work. Made with pâte de verre process that utilizes 3D computer modeling to create basic shapes, which are laser cut and assembled.

Tuesday June 16, 2015 | by Alexander Charnov

CALL FOR ENTRIES: Glass Art Society accepting submissions for 2015 technology grant

Applications are now being accepted for The Glass Art Society’s annual Technology Advancing Glass (TAG) research grant. The award goes to an artist or group of artists “exploring new materials, techniques, making methods, or applications of technology that will generally advance the field of art made with glass”, according to a press release issued by the artist organization..

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Jaroslova Brychtova, Stanislav Libensky's widow and longtime collaborator, pictured during the 2014 award ceremony in Prague.

Wednesday June 10, 2015 | by Andrew Page

CALL FOR ENTRIES: Stanislav Libenský Award invites recent grads to submit

The Prague Gallery of Czech Glass has announced a call for entries to the seventh Stanislav Libenský Award. Designed as an international juried exhibition for glass art, the award is open to recent grads of B.F.A. or M.F.A programs around the world, as long as they used glass as an element in their final thesis project.

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GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.