rendering of the Chihuly Sanctuary. courtesy: Buffet Cancer Center website.

Friday May 19, 2017 | by Gabi Gimson

OPENING: Chihuly Sanctuary lends comfort to patients at Buffett Cancer Center

This afternoon, the Fred & Pamela Buffett Cancer Center in Omaha, Nebraska, will unveil The Chihuly Sanctuary—an extensive installation, featuring more than 200 original works by lauded glass maestro, Dale Chihuly. The sanctuary is a keystone of the Healing Arts Program at the University of Nebraska Medical Center and its clinical partner, Nebraska Medicine. and was made possible by a lead gift from Omaha philanthropists, Walter Scott and his late wife, Suzanne. The Fred & Pamela Buffett Cancer Center began construction in 2010 thanks to a major donation by Pamela Buffet and her late husband Fred, a relative of billionaire and Omaha native, Warren Buffet. Fred Buffett died of complications from kidney cancer in 1997. The 615,000-square-foot building cost $323 million to construct and is set to open its doors to patients in June. 

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Laura Kramer, Georgia, 2017. Glass. H 8 W 11 D 13 in. courtesy: heller gallery

Thursday May 18, 2017 | by Gabi Gimson

OPENING: Laura Kramer blends glass with objects from nature in new work debuting at Heller Gallery

Filed under: Exhibition, New Work, Opening

One of New York’s leading glass art institutions, Heller Gallery presents an exhibition featuring works by artist and designer, Laura Kramer, who synthesizes natural forms and uncommon objects in glass to "explore the liminal." Since 2000, Kramer has created intriguing glass sculptures from found curios and organic objects, like wasp nests and barnacles. Her objects explore the hybridization of fine art and natural findings, mimicking shapes and textures found in the natural world while defying any accepted system of classification. 

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courtesy: www.vermontglassguild.com/events

Tuesday May 16, 2017 | by Lindsay Hargrave

OPENING: Vermont Glass Guild members unveil new work in second annual exhibition

UPDATED 5/18/2017

For the second time, the Vermont Glass Guild, a group of glass artists based in Vermont, will feature the work of 25 artists in an annual exhibition curated by Joan Wilson at the Southern Vermont Arts Center from May 20th through July 2nd, 2017. An opening reception to be held at the gallery on May 20th from 4 to 6 PM is open to the public. The exhibit will represent a range of styles and forms, from blown glass to fused to slumped. This is because it is a representation of the guild itself: a wide range of artists and ideas brought together by a common locality and medium.

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Tuesday May 16, 2017 | by Lindsay Hargrave

Artist James Vella named glass studio manager of New Orleans nonprofit program

Filed under: Announcements, Education, News

New Orleans-based artist James Vella, known for his strikingly realistic glass trout and delicate goblets, has assumed the position of glass studio manager as of May 1, 2017, at YAYA (Young Aspirations Young Artists), a New Orleans-nonprofit that offers classes and after school programs to local children and teenagers. Vella's full-time position will be responsible for duties formerly filled by two part-time employees, and this expanded role was developed in response to the organization’s growing audience and educational ventures in the New Orleans community.

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Leana Quade, Release (video still), 2017. Glass panel and strap. courtesy: artist website.

Thursday May 11, 2017 | by Gabi Gimson

OPENING: Leana Quade’s anxiety-producing experimental glass projects on view in Pittsburgh exhibit

The Pittsburgh Glass Center has unveiled an exhibition by glass artist and self-proclaimed mad scientist, Leana Quade, best-known for her coiled glass springs and shattering a flat piece of tempered glass by ratcheting it into a tighter and tighter curve until it explodes. You can experience the nerve-rattling effect of her performance piece Release (2017) in the video below.

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Tuesday May 9, 2017 | by Andrew Page

OPENING: Dan Clayman takes his glass panel assemblages to new heights in sculpture park exhibit

With a rainy VIP opening on Friday, May 5th, and the sun breaking through for a Saturday "Meet the Artist" afternoon event on May 6th, Dan Clayman unveiled Radiant Landscape, a monumental new project installed at the Grounds for Sculpture's Museum Building in Hamilton, New Jersey. This large-scale work that rises two stories is made up of thousands of 22-by-32-inch glass sheets rigged together in an intricate but elegant engineering solution which presents three fields of glass suspended vertically, at a steep pitch, and horizontally. The individual components are in shades of sunset gold, clear, and oceanic blue glass. The gold and clear are adjacent to one another and interact as they diffuse light that filters into the building's large windows, altering its hue and connecting to the landscape outside, and revealing several of Clayman's mapped-boulder sculptures (named for the geolocation where the natural boulder was found). The blue color field is suspended horizontally, and, bathed in its aquatic hues, one cannot escape the feeling of being under the surface of a large body of water.

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Erwin Eisch and his wife, Gretel, at the opening of "Erwin Eisch zum 90. Geburtstag”.

Thursday May 4, 2017 | by Gabi Gimson

OPENING: Erwin Eisch celebrated his 90th birthday with museum opening in Frauenau, Germany

Filed under: Museums, News

The gallery at Glasmuseum Frauenau in Frauenau, Germany, is celebrating the life and work of seminal glass artist, Erwin Eisch with an exhibition that runs through June 30th. It opened on April 17th, on the eve of the artist’s 90th birthday. Glasmuseum Frauenau is a public museum founded by Eisch and former Frauenau mayor, Alfons Hannes in 1975, but the small Alpine town boasts a 500-year-old glassblowing tradition. Inspired by the international Studio Glass movement, of which he had been a pioneer, Eisch established the museum in his hometown to showcase the possibilities of glass technology and design.

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Artist, Pinaree Sanpitak with her installation, "the Roof". photo: gabi gimson

Thursday April 27, 2017 | by Gabi Gimson

CONVERSATION: Pinaree Sanpitak on her newest public artwork that blends fiberglass and raw silk

The Winter Garden at Brookfield Place (formerly the World Financial Center) is the site for a recently unveiled installation by renowned Thai artist Pinaree Sanpitak. A leading artist from Thailand, and enjoying an international reputation, Sanpitak was already an established multidisciplinary artist when she became intrigued by glass on a 2008 trip to Murano, Italy, where she collaborated with Italian masters to create several glass sculptures, She continued to work with the material, including during a 2014 visiting artist residency at the Toledo Museum of Art. Her most recent achievement in glass is on display at one of the busiest public spaces in New York City. 

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Thursday April 27, 2017 | by Awura Ama Barnie-Duah

HELP WANTED: The expanding Pittsburgh Glass Center seeks a full-time development manager

Filed under: Announcements, Help Wanted

The Pittsburgh Glass Center is accepting applications for the full-time position of Development Manager. The nonprofit art center includes a public-access glass studio, visiting artist residencies, an education program, and ambitious exhibitions. This brand new position has been created to support the glass center's expansion. The center has come to grow and develop its individual giving, corporate sponsorship, and new foundation support. As part of the job, the development manager will be responsible for a number of tasks that uphold fundraising. These tasks include, "researching new foundation prospects, grant writing, funder reports, individual donor research, cultivation, and tracking, corporate sponsorship and other administrative duties".

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Ruben Toledo, Summer Heat Wave, 2009. Screenprint with hand painting. courtesy: pilchuck glass school

Wednesday April 26, 2017 | by Hailey Clark

Chrysler exhibition celebrates Harvey Littleton’s lesser-known innovation: vitreography

In her tenure as director of marketing and communications at the Pilchuck Glass School, Diane Wright became enamored of the little-known print collection in the school's archive of work made through the glass plate printing process known as vitreography. These are works in paper that are printed using a cold-worked sheet of glass as the plate, offering a number of advantages over a metal plate, including that it can be laid over the paper it will eventually be printed on during its creation, and it doesn't break down during repeat uses. Since she was appointed curator of glass at the Chrysler Museum of Art in December 2013, Wright had been looking forward to giving a platform to highlight this less well-known artform. "I wanted to be able to show them here in an environment where we have a strong focus on glass, but we also show a lot of other work," Wright said in a telephone interview with the GLASS Quarterly Hot Sheet. "There's this wonderful marriage between 2-D work that uses glass as a printing matrix and it also illustrates an interesting range of artists who who have worked at Pilchuck."

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GLASS: The UrbanGlass Quarterly, a glossy art magazine published four times a year by UrbanGlass has provided a critical context to the most important artwork being done in the medium of glass for 35 years.