Friends and colleagues of Joe BenVenuto are uniting to help the glass artist as he explores alternative treatments for anaplastic astrocytoma, a brain cancer with which he was diagnosed last year. BenVenuto has undergone a round of radiation and chemotherapy treatment, but he must now seek non-traditional treatments to mitigate the growth of the tumor for as long as possible.BenVenuto is looking into alternative treatments such as Hyperbaric Oxygen Therapy (HBOT) and other holistic treatments in the U.S. and abroad. But some of the costs of radiation and chemotherapy as well as alternative treatments are not covered by his insurance, leaving him to shoulder the cost on his own. Hoping to give Joe a chance to recover without being limited financially, his friends at Preston Singletary Studio decided to help. The studio will host a benefit open to the public with a silent auction at Traver Gallery in July. His friends are also raising money through an online donation page.
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American artist Pae White’s newest work, Qwalala, is at once a visceral experience of color and a carefully crafted work of architecture. The outdoor installation, measuring 246-feet-long and almost 8-feet in height, is made of thousands of glass bricks winding in a snake-like form. The public art piece was installed to coincide with the Venice Biennale, and is part of a city-wide series of outdoor exhibitions across Venice, and was commissioned by Le Stanze del Vetro (which translates into “rooms for glass” in English), where it opened on the Island of San Giorgio Maggiore.
After playing a major role in bringing the 2017 Glass Art Society Conference to Norfolk, Virginia, last month, Chrysler Museum of Art Glass Studio manager and program director Charlotte Potter is heading for the exits. Potter told the GLASS Quarterly Hot Sheet that she plans to leave the job she's held since 2011 by the end of this month. Potter, whose leadership put the Chrysler Museum of Art’s Perry Glass Studio on the glass-art map, plans to move back to her home state of Vermont by the beginning of August. There she will focus on raising her newborn daughter and continue to pursue her successful art practice. Though it hasn't yet launched an official job search for Potter's replacement, the Chrysler Museum of Art is starting the process of finding a new glass studio manager and programming director to take over Potter's important role running the studio, which itself is in the process of being expanded in response to its considerable success drawing crowds and attention.
The Tyler School of Art at Temple University is searching for a full-time non-tenure-track assistant professor for its glass program. Candidates with mastery of traditional and contemporary glass techniques should apply by July 12, 2017, to receive priority. The ideal applicant would be able to teach a range of courses from introductory to advanced and conduct research-based classes that are both conceptual and experimental. Applicants should also have produced work shown in national exhibitions and demonstrate a passion for teaching their skill.
Noel Hart’s solo exhibition, entitled “The Rewilding,” will open at Tansey Contemporary's Santa Fe location on July 7th. The Australian artist's latest work reveals an evolution toward more transparency, a greater sheen to the glass, as well as more depth to the individual works. Inspired by his close observations of the bird life in the backyard of his home in the Australian rainforest, which is teeming with birds and is a showcase of biodiversity and species interaction.This daily intimacy with biological diversity has led to increasingly vibrant artworks. “He’s going into a more sculptural direction," said Tilly Badham, marketing director for Tansey Contemporary, in a telephone interview with the Glass Quarterly Hot Sheet. The new work also has a glassy transparent finish rather than an etched finish.” Hart, who was showing at Jane Sauer Gallery before it was purchased by Tansey four years ago, sees an increase in scale, and confident approach to color that betrays Hart's training as a painter.
The Pittsburgh Glass Center (PGC) will feature Richard Royal at its annual Art on Fire celebration and auction this September, coinciding with his residency at PGC. Royal, a former gaffer for Dale Chihuly at the Pilchuck Glass School, creates art fueled by his interest in the math inherent in nature, and he is drawn to the geometric possibilities of the material, as well as its optical properties. He's been blowing glass for more than 30 years and combines both blown and solid glass elements in his internationally recognized and highly photogenic work. Royal’s art has been on exhibit at the Mint Museum of Art and Design, the High Museum, and the New Orleans Museum of Art, among others. Royal is a prolific teacher, including a regular at the Pilchuck School. He has also taught before at PGC. As honorary artist, one piece of Royal’s work from his optical lens series will be for sale at the auction.
When glass artists Anna Boothe and Nancy Cohen come together, artistic accidents are embraced. Instead of tossing aside a mistake, the two consider it important to give value to an accidental creation as part of their effort to create art with a Buddhist sensibility in mind. The artists continue their 5-year-long collaboration in a new exhibit entitled “Permutations: A Collaboration Featuring Anna Boothe and Nancy Cohen,” which will have an opening reception at the Philadelphia Art Alliance (PAA) this evening. The two began collaborating in 2012, fusing together two unique styles and a combined experience of more than 50 years working with glass. Although neither artist considers herself a practicing Buddhist, they self-consciously sought to take on on the Buddhist style of thought as a strategy in the creation of their collaborative art, and they consider the work to share the aesthetic approach of Thangka, an elaborately composed Tibetan Buddhist tradition of painting.