Inspired by a demolition he witnessed near his studio in an industrial neighborhood in Cleveland, Brent Kee Young translated a giant mass of tangled rebar into random matrices made from slender canes of clear Pyrex.
In the cover article of the Spring 2008 edition of GLASS: The UrbanGlass Art Quarterly, critic Dan Tranberg takes apart Young's sculptural works that function on abstract and representational levels.
Read the full table of contents from the CURRENT ISSUE
Subscribe to GLASS: THE URBANGLASS ART QUARTERLY
